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Art

Yes, magic exists!

Antonin Artaud, Stephen Barber (ed.)

A Sinister Assassin

from myself / to myself / who is it that comes / and who is it that goes?

Antonin Artaud’s very last work, prior to his death in March 1948, is the most extraordinary element of his entire body of work – and is the element now most enduringly inspirational, for contemporary artists, filmmakers, musicians, writers, choreographers, and others inspired by Artaud – through its fiercely exploratory, extreme and combative forms, along with its dissolutions and negations of forms, focused above all on the human anatomy, as well as on sonic experimentation and on provocations for innovation in...

poetry
avant-garde
Modernism
autobiography
literature

Current Texts

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Current Texts

Malte Fabian Rauch

Camouflaged with a visual language

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?”

ABO

Current Texts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
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reading
electronic music
media theory
music
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ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Mathilde Arnoux (ed.), Maria Bremer (ed.): Westkunst, 1981

Mario Schulze (ed.), Sarine Waltenspül (ed.): String Figures

Eduardo Jorge de Oliveira: Invented Skins

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

THINK ART? THINK ART!

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Topics

The Subject of Capitalism
- subjectification
- migration
- cognitive capital
- capitalism
Observing the Spectator
- gaze
- mirror
- observer
- optical illusion
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- semiotics and semiology
- color
- chromatics / colour science
- monochrome
Autofiction—Metafiction
- memory
- autofiction
- Theory of fiction
- fiction
- autobiography

Current Texts

Eric Baudelaire

A for Anomie

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game.

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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Current Texts

Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Ornamentation is the body of our thought

Elena Vogman

With Bely, a continuum is continuously produced between visceral organic states, political states of society and meteorological states of the world. OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Books

Kieran Aarons (ed.), Reiner Schürmann, ...: The Place of the Symbolic

Georges Didi-Huberman, Mira Fliescher (ed.), ...: The Cube and the Face

Wiktoria Furrer, Carla Gabrí, ...: How to Teach Art?

Sami Khatib (ed.), Holger Kuhn (ed.), ...: Critique: The Stakes of Form

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Daniel Berndt (ed.), Susanne Huber (ed.), ...: ambivalent work*s

Time Probe Zero Synthesis

DIAPHANES MAGAZINE No. 3

When to switch off? What to look for? How to write? Which lines to draw? Whence self-recognition? DIAPHANES 3—TIME PROBE ZERO SYNTHESIS

Where is the present when the computer pulses at the wrist every day, when we’re globally interconnected in real time but don’t take in our selves for a single moment, just bits and pieces, just snatching a few intensities, when neurons plus communication already makes a consciousness? Is it nothing but a hallucination, in permanent crisis? Does it stand still, get wider, poorer? How does the past change when systems record every second, saving them for the right moment or for...